Ref.: 50489L-CAMINAR
“Solo quiero caminar” is the first album of Paco de Lucia’s sextet with his brothers Ramón de Algeciras and Pepe de Lucía, Carles Benavent as bassist, Jorge Pardo on the sax and flute and Rubem Dantas on percussion. This album is the beginning of a new path and the flamenco we know today. The album is also one of the best flamenco guitar concert albums. In this project, Paco de Lucia...
Ref.: 50080421812
Angelillo singed all kind of rhythms and he is a pretty good singer. It is worth your while to discover Angelillo or to enjoy his spendid voice and his way to sing. He has also song and recorded a lot of soleares, seguiriyas, malagueñas, tarantas, mineras, murcianas, saetas, verdiales, etc. successfully. And of course all the range of american songs. Accompanied on the guitar by Ramón Montoya,...
Ref.: 50489LCD-TAF-2
Excellent material for average difficulty repertoire. These are compositions written in scores and tablatures. Now we present to you volume 2. Each volume includes a CD that helps with the study of the themes. It also allows you to enjoy the excellent interpretation of Javier Conde, in the solo pieces, and José Antonio Conde in the duets. Volume 2 1. Torero y gitano (Chinitas) 2. Anda...
Ref.: 50489L-BAJO2
Mariano Martos starts playing the guitar like self-taught when he’s 8 years old. He played alone until 1983 when he plays also the electric bass. After a work of 6 years he finish in 2008 a pioneer book: “Flamenco Bass Method” and now he presents his new work “Flamenco Bass Method 2”. The method is divided into six chapters, each of which corresponds to a different...
Ref.: 50550005
The didactic collection of FLAMENCO TO TAP ONE’S FEET, is made up of 3 volumes, each of them is made up of 1 DVD of 115 minutes approximately and one CD of 60 minutes approximately. The first DVD and CD titled ''TÉCNICA' contains technical exercises on how to hit with feet. (giving name to each of the ways), to exercises of finishing touching and close down for the binary and ternary rhythms....
Ref.: 50550003
The second volume titled: Ritmos Binarios consisits of 6 exercises of double finishing touching and 6 double close down and 4 brushes. All these exercises are carrying out in three speeds with the right and left feet, at the end of each exercise, we will carry it out with the guitar a real speed. All the finishing touching, close down and brushes that are studied in this volume, are applicables...
Ref.: 50489L-APUNTES04
A grate Flamenco repertory including falsetas, rhythms and primary chords that are usual in the main flamenco styles to accompany the cante (singing) and baile (dancing). Useful to every guitarist who need a varied repertory or improve it in this complicated art of accompaniment Book Content Preface 10 basic advices to the flamenco guitarist Notation signs Andres Batista4 Studies: Picado study...
Ref.: 50489L-APUNTES01
A great Flamenco repertory including falsetas, rhythms and primary chords that are usual in the main flamenco styles to accompany the cante (singing) and baile (dancing). Useful to every guitarist who needs a varied repertory or improve it in this complicated art of accompaniment. Book Contents: Preface 10 basic advices to the flamenco guitarist Notation signs Andres Batista El...
Ref.: 50489L-APUNTES02
A grate Flamenco repertory including falsetas, rhythms and primary chords that are usual in the main flamenco styles to accompany the cante (singing) and baile (dancing). Useful to every guitarist who need a varied repertory or improve it in this complicated art of accompaniment. Book Contents: Preface 10 basic advices to the flamenco guitarist Notation signs Andres Batista El...
Ref.: 50490G277
With these lessons of ''The guitar in the flamenco'', the author is setting out to publish the learning and the most fundamental preparation for those who are interested in the Flamenco Music. This scores book contents:Text: Flamenco, digitación, rasguero, el trémolo, el golpe, exercises of rasguero, falseta, farruca,…Music: Farruca, Sevillanas I, II, III, IV, Granadinas, Malagueñas,...
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