Ref.: 113SM610
An excellent best of no 2 Cds, including the greatest hits of the artistic couple who revolutionized the flamenco: Lole Montoya and Manuel Molina. This artistic couple never produced orthodox flamenco. The very sweet way to sing of Lole and the direct manner to play of Manuel have broken all the flamenco patterns. Manuel was member of the Andalusian rock group Smash (with Gualberto). From this...
Ref.: 113DRO617
The best from their six discs on this double CD: Sé De Un Lugar, En El Lago, Tu Frialdad, Quiero Contarte, Abre La Puerta, Una Historia... 24 songs but also the surprise of this launching: a DVD that includes the documentary "Una Historia", directed in 1995, with frames of Triana (from 1974 to 1981) and opinions of the carismatic and closer figures of the group: the producer Gonzalo...
Ref.: 509NM468
Guitarras Callejeras (Street Guitars) is the second record by Pata Negra, the Amador brothers' legendary band. It is possibly the best example in the whole history of late twentieth-century flamenco of what gypsy flamenco rock is. 'Blues de la Frontera' is considered one of the best records released in Spain in the 1980s, not only in terms of flamenco. It is the beginning of a kind of sound that...
Ref.: 509NM463
The brothers Raimundo and Rafael Amador (Seville 1959 and 1960) created a mixture of flamenco, blues and rock & roll that seemed the most natural thing in the world. Their recordings from the eighties are unanimously considered the best spanish pop music of that time.
Ref.: 509NM487
Inspiración y Locura (Inspiration and Madness) is the first record by Pata Negra without Raimundo Amador. His brother Rafael is left as the band's only member, with whom other musicians cooperate.
Ref.: 509NM246
La Barbería del Sur lead the second wave of New flamenco bands and picked up right where Pata Negra and Ketama left off, bleding flamenco with other latin styles and jazz. In many aspects there haven't been any other recordings better than the ones La Barbería made with Nuevos Medios. The member's deep flamenco roots and and their spontaneous sprinkles of jazz, latin and african rhythms yielded...
Ref.: 113DEW36
Triana's day came. The band's day came when Jesús de la Rosa, undoubtably the band's creative engine, died in a traffic accident. Many believe that had Jesús survived the band would have delivered a return to style from the first three albums. It's simply guesswork, however, given that there's no proof in this album for there to be returning styles from the past. There are some very good...
Ref.: 113DEW13
Un Encuentro is probably the band's most risky album. Already established as succesful and popular band throughout the mainstream, Triana assumed more of a calm and intimate style. This album has tracks like Tu Frialdad and Un Nido, which have been considered some of their best compositions.
Ref.: 113DEW103
This new compilation comes in two discs titled after the legendary promotional single, 'Una historia', which sold over 100,000 copies. The song selection is appropriate and in addition it brings back tracks from old vynil discks.
Ref.: 113DEW124
Their sophomore effort 'Hijos del Agobio' that came along with the hit single 'Rumor' was considered one of the best albums of 1977. The most influential music magazine in South America and the United States, 'Record World',also considered them the best Latin band in 1977.
